I've seen Sara perform three times before last night, with the last concert in 2011, after her Kaleidoscope Heart album. Back then Sara played more to the local college scene, allowing me to take advantage of those close venues. I missed out on the Blessed Unrest "Little Black Dress" tour because she performed in Chicago and I didn't want to invest the energy of driving there and back. I now realize that live music is a gift we don't experience enough, so I bought tickets for this tour. Of course Sara didn't disappoint - her voice still rich, beautiful and polished even when challenged by the complexity of her songs. I still connect with her music and lyrics which contrast today's simplistic, manufactured pop music.
The stage's centerpiece focuses on the piano with conical chandelier of hanging pages, said to be lyrics and journal entries, a visual representation of music emanating from the recesses of the instrument.
Orpheus (Prologue) - Sara starts with the chorus of this song, which features namesake of the album and tour with these lyrics - "Don’t stop trying to find me here amidst the Chaos, though I know it's blinding there's a way out". The stage, bathed in white light, glistens like a beacon of hope. The stage colors, spotlights and back lights continued to transition throughout the performance, creating a beautiful effect.
She then launches into songs from the current album:
Fire - about feeling the heat of a relationship
Poetry by Dead Men - leaving a relationship
Eyes on You - profiles of everyday people and their troubles and keeping those people close to you in this crazy world
The next song is from her Blessed Unrest album, I Choose You, what I consider to be her most "optimistic" relationship song. It's a piece one might play at a wedding - sweet and loving. It's not my favorite because Sara usually sings about heartbreak, personal discovery and moving on.
She segues into the next song with her backup singers vocalizing jazzy chords a cappella, fingers snapping, syncopated percussion and I'm left wondering what song it's going to be. Until those familiar chords start on the piano - the distinctive start to Love Song. This is what Sara does best - reinventing her songs.
Sara returns to the new record with percussive Armor, an anthem calling for women to support one another. She then brings opening act Emily King to sing a duet - If I Can't Have You. Emily King collaborated with Sara in writing this song.
The mood slows down (and we get to sit down) with the romantic Miss Simone
The set then detours away from pop music to Broadway with a trio of songs from Sara's successful musical, Waitress.
Soft Place to Land - an ethereal trio
Above Photo credit - Shannon Guest
You Matter to Me - duet with her bassist
Bad Idea - duet with her guitarist
She then goes solo with the piano on what I thought was the best song of the night, She Used to Be Mine. This is what I enjoy the most - the stripped down singer with piano. Sara continues with only the piano and Uncharted, which included a brief audience sing along (yes, I sang along since that’s my thing).
Above Photo credit - Shannon Guest
The band re-emerges for a mash up of No Such Thing / Satellite Call. A common trend for concerts is to perform a song where people use the flashlights on their phones akin to Bic lighters to fill the stadium with light like stars in the sky. It's more effective in a larger or outdoor venue where the atmosphere doesn't reflect the light back. I love the sentiment but seeing the insides of the United center all lit up didn’t give that stars in the night sky effect. When I saw Ed Sheeran in concert outside, this effect was totally amazing.
I know the concert is heading into the last stretch with Let the Rain, King of Anything and Brave.
To end the main set, the band circled back to Orpheus - but Sara performed the full version of the song, creating a sense of completion.
We were treated to two encores - Gravity and Saint Honesty. Sara always sings Gravity for her encores and while I love this song, I found the arrangement too heavy on the low strings for my liking. But Saint Honesty makes up for it all, showcasing the power and timbre of her voice - snippet in the video below:
I am always amazed how consistently good her performances are and that she seems like a genuinely nice person, in addition to being transparent about her faults.
So if you like lyrical, complex songs, performed impeccably, go see Sara Bareilles and her Amidst the Chaos Tour while you can. Or, if you will be in London in January (2020), she will be playing the main character, Jenna, in Musical Waitress in London's West End.
